Archive for September, 2010

Swedish broadcasters told not to “promote” Facebook

This is less a post and more a comment on a post elsewhere …  I was commenting on this article last week and it is still in moderation and can only assume it won’t be approved. It would seem the author doesn’t want other points of view on this.  It’s just as well I kept a copy and so I will comment here on it instead. But before I do, here is the comment policy on the site, Radio Netherlands Worldwide (Media Network blog),  where I spotted it.

Please keep your comments on topic, which means they must have something to do with the subject of the post. Comments must be in English, not your native language. If I cannot understand a comment, for legal reasons I will have to delete it. Don’t worry if your English is not pefect; I will correct any spelling mistakes etc.

Yes it does say “not pefect”. I don’t mean to be pedantic about that (you’ll find plenty of typos here I’m sure and perhaps it is meant to be a joke) but as it seems to be the case that my comment was not ‘understood’,  I will post it here instead and see if anybody understands it. There is only one comment on the article, plus one in subtext from the author / translator Andy Sennit, so it seems like it is a given that this is the wrong decision and that some broadcasters are behind the times and that nobody thinks any different.  The translated article is captured below and I have located the original article in Swedish on Dagensmedia here.

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Remix and the Rouelles of Media Production

Since the beginning of the year I have been part of an online seminar ‘Remix Theory and Praxis’ established by Owen Gallagher of Total Recut discussing the merits of ‘Remix Culture’. Through meetings over Skype and email, Mette Birk, Eli Horwatt, Martin Leduc, Eduardo Navas, Tara Zepell, Owen & myself discussed relevant academic texts and ideas which relate to the subject as well as sharing examples demonstrating the rise of remix as the tools of production became affordable to the wider public outside of the media industry. This has led to an explosion of creativity which has filtered back into the media itself with the discovery of new techniques of storytelling brought about by wider experimentation.

[image above links to the work]

One of the things we set out to do as a group was to create a remixed text whereby we all wrote a bit about our ideas of remix culture and put it up and mixed it together in a wiki to form part of the Networked Book project (a networked book about networked art). It not exactly a Brion Gysin / William S. Burroughs cut-up approach, but it is interesting to see a multi-authored piece of text come together cohesively. The result is a piece which which is challenging to our perception of creative culture and highlights the problems with copyright in a world so consumed by mass media. It is only natural for people to use these media sources as reference points in studies of modern culture or as a language in itself to tell new and unique stories. This text analysing these perspectives is now available on the site and is organic in form in that it can be further remixed and expanded upon within the text itself and discussed in comments alongside.

The group will be taking part in show and tell panel and screening sessions “Theory of Remix” in this year’s Open Video Conference (October 1st & 2nd) in New York City. I was to be participating in this but I could not secure funding to travel and could not afford to go otherwise. I had thought about crowd-funding my trip, but at that stage it would have been too late to get it organised properly and I didn’t want to dilute my plans for crowd-funding something else (which I will announce soon). It’s a pity I can’t be there as it’s something I was really looking forward to being a part of and to meeting those in the group whom I haven’t yet met in person. There’s a swarm of interesting offerings at this years conference including “EFF vs Burning Man”, “When YouTube Killed the Hitler Meme”, “Building Solutions for Human Rights Video” as well as sessions on HTML5 video, open journalism and lot’s of other open source inspired goodness as well as a great selection of speakers. Check out the schedule of the site fro more info. Most of OVC will be streamed live, so I will be able to attend virtually. Now to finish off that mega remix I have been dragging out way too long!

Distractions and holding back.

Now this is just the tip of the iceberg.. the underlying theme herein will be expanded upon over future posts and so this is an introduction of sorts. I think a lot about the direction we are going in with social media et al, or whatever it will be called in the future. The wheel is turning faster and faster and everyday we are seeing more and more innovations to make our virtual lives and communications easier. But there is the rub. Just because it is easier (more convenient) doesn’t necessarily mean it is any more useful, it may just make room for more distraction. Much of what we invest in is worth nothing when something better comes along.

If we are in a global recession, then why and how can we afford to keep buying virtually nothing? We are upgrading and obsoleting technology quicker than ever and piling up rubbish that was once worth substantial amounts (of course it still is to those in the lucrative recycling industries) so we can move on to the latest trend and give ourselves a false sense of belonging. The question is though, do we own our purchases or do they own us?

The Law of Distraction may sound familiar to those of you who have explored the realms of self-improvement on the information-super-highway. I’m putting this out there as a mirror on that and on our internet use (also, wider media consumption) in general. How much of what we consume is useful? How much of it is useful enough to improve our livelihood and advance our career path?  How much of it is distraction? Of course we individually know the answers to these type of questions. We are living the same experience, that of the information age, but we are not all on the same page and that is largely the point. Whether you are an early adopter or a noob, the net has become a part of daily life for a large amount of people and within that there is a sense of pressure that you need to be part of the latest trend or get left behind. But what do we leave behind?
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